Showing posts with label G324 Research Into Target Audience. Show all posts
Showing posts with label G324 Research Into Target Audience. Show all posts

Monday, 22 November 2010

Audience Research, Media Theory

Uses and Gratifications


During the 1960's, as those who had grown up with television became adults, it became apparent and important for media theorists to disect how and why audiences viewed texts. Instead of a mass collected audience passivly viewing homogeneosly, it was shown that the audiences individually viewed texts for many different reasons. In 1948 Lasswell suggested that media texts are viewed for the following functions and reasons:


Surveilance: Viewing media texts to gain information which could be usefull for living (i.e weather reports, financial issues, advertisment) however with the rise of surveilance programs such as Brit Cops: Zero Tolerance, revealing the law-flouting underbelly of society; it is possible that these shows are viewed to provide caution and safety to those at home.

Shows such as Brit Cops: Zero Tolerance attempt to provide surveilance gratification, a warning of the crime on the streets alongside morbid curosity and a wish against blissfull ignorance for the audience.

Correlation: Viewing media texts to provide yourself with a reflective of yourself, identifying your own personality and characteristics alongside those of people you know.



As of late, there has been a rise in T.V shows such as Skins (Above) which combine the gratifications of both surveilance to an older generation in watching a media text to impead interest of those younger alongside correlation to those of the same age as the cast. Whilst Skins attempts in this fashion to hit a mass audience of all ages, shows like Shameless (Below) attempt to hit an audience of all classes using this techinque.





Entertainment: Self Explanatory

Cultural Transmission: Though it can be seen that cultural transmission is very similar to surveilance instead to learn more about another culture; a main difference is instead of the viewer being gratified it is those who impead the text- a mass showing of a culture in an attempt of boasting. An extreme example of this is the cultural transmission of America, once invading Iraq, setting up a channel showing only American shows such as Friends (Below) in an attempt to draw the civilians into their culture.


The T.V show friends can be seen to provide a very inviting example of American culture, an example of Cultural Transmission between America and the East.
Researchers Bulmer and Katz expanded upon this theory and published a much more refined version in 1974, dissecting the far too broad Lasswell and narrowing a function such as entertainment into Diversion: (escape from everyday problems and routines). They also dissected the broad function of correlation into catagories of Personal Relationships: (using the media for emotional and other interactions, i.e substituting soap operas for your family life)
Relations To Our Music Video
Due to the hedonistic lifestyle which comes quickly to a downfall in our music video, our music video could relate to alot of these functions. The factor of surveilance in our music video could apply to not only apply to those considerably older than the characters (late teens making a band) but also those of all ages trapped in a mundane routine wishing to get out- relating to the functions of diversion and personal identity in that those who cannot get out of this routine can instead watch as the characters ditch the shackles of the lifestyle they once had only to implode and return. The personal identity shown in our video promotes the attitude and psychological character of the underacheievers who would love to be part of a loved band alongside the social values of the hedonist. This aspiration is underpinned by the use of costume of the characters, relating to the bands they themselves and the audience aspire to.

Tuesday, 12 October 2010

Which demographic would most identify with the life style and generic style of the British band "Foals?"


Viewing the photograph of math-rock band Foals in The Independent article, the polo shirt and cardigan costume hint at a student following, indeed the band themselves are ex-students of the prestigious Oxford university; this intellectual yet rebellious and laid-back ideaology is also reinforced in the reasonably unknown genre "math-rock" which has found itself as a label for the band- and perfectly sums up this ideaology of intelligance and subtle anarchy.

This student demographic can also pinpoint the age-group of the following, identifying itself with the illustrious lifestyle of a group of late teens to early twenty year olds dropping out of one of the  reputably best university in the world, living together and crafting a band to create, as The Independent claim to be, "exhilarating, diverse and innovative music." Certainly the article aims to create a rebellious yet highly intelligent aura around the band, introducing them in the statement "the palid lead singer of art-house punks Foals, is smoking a cigarette as the rest of his bandmates drink coffee and the read the papers inside."

It is this aura that can reveal a lot about the demographic that the article is targeting white, middle class youths, like the band themselves, who are spurred by the lifestyle Foals portray to release the shackles of what The Independent state to be "parently approved careers" and getting "thrown into the rapid decadence of the music industry." To attempt to bring rock music out of the mundane lad-rock of the lower classes and show that you cannot choose which class you are born into. The demographic, as well as the band, aspire to be abstract and exciting, taking "abstract lyrics, vocal barks, funky bass-lines and disco drumbeats and layered them into math-rock bass-lines." The music video for one of "two hit singles" 'Balloons' displays many of the bands enticements to their intellectual, middle-class demographic: drinking tea in front of a pale-green background- displaying a Britishness  alongside a laid-back, confident aura amongst the abstract back-and-forth performance shots and the use of the crow (intelligent, not traditionally sexually appealing and rebellious- just like the band and reflecting a male-dominant demographic) imagery reflecting the lyrics "we fly balloons of this field called love." 


http://www.independent.co.uk/arts-entertainment/music/features/foals-why-its-creativity-not-fame-that-interests-them-773528.html

http://www.youtube.com/watch?v=zHcOFmiswcQ&feature=related